翻訳と辞書
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・ The Wonderful Chance
・ The Wonderful Country
・ The Wonderful Country (film)
・ The Wonderful End of the World
・ The Wonderful Flight to the Mushroom Planet
・ The Wonderful Galaxy of Oz
・ The Wonderful Horrible Life of Leni Riefenstahl
・ The Wonderful Ice Cream Suit
・ The Wonderful Ice Cream Suit and Other Plays
・ The Wonderful Land of Oz
・ The Wonderful Lies of Nina Petrovna
・ The Wonderful Lips of Thibong Linh
・ The Woman the Germans Shot
・ The Woman Under Oath
・ The Woman Upstairs
The Woman Warrior
・ The Woman Who Believed
・ The Woman Who Brushed Off Her Tears
・ The Woman Who Came Back
・ The Woman Who Dared
・ The Woman Who Desires Sin
・ The Woman Who Did
・ The Woman Who Did (1915 film)
・ The Woman Who Did (1925 film)
・ The Woman Who Did (disambiguation)
・ The Woman Who Died a Lot
・ The Woman Who Gave
・ The Woman Who Had No Shadow
・ The Woman Who Had Two Navels
・ The Woman Who Invented Love


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The Woman Warrior : ウィキペディア英語版
The Woman Warrior

''The Woman Warrior: Memoirs of a Girlhood Among Ghosts'' is a memoir, or collection of memoirs, by Maxine Hong Kingston, published by Alfred A. Knopf in 1976. Although there are many scholarly debates surrounding the official genre classification of the book, it can best be described as a work of creative non-fiction.
Throughout the book's five chapters, Kingston blends autobiography with old Chinese folktales. What results is a complex portrayal of the 20th century experiences of Chinese-Americans living in the U.S in the shadow of the Chinese Revolution.
''The Woman Warrior'' has been reported by the Modern Language Association as the most commonly taught text in modern university education. It has been used in disciplines as far-reaching as American literature, anthropology, Asian studies, composition, education, psychology, sociology, and women's studies. It won the National Book Critics Circle Award and was named one of ''TIME'' magazine's top nonfiction books of the 1970s.
==Genre==
The specific genre of ''The Woman Warrior'' has been disputed due to Kingston's blend of perspectives, traditional Chinese folktale, and memoir. With this mixture, Kingston tries to provide her audience with the cultural, familial, and personal context needed to understand her unique position as a first-generation Chinese-American woman.
Friedman's assessment of autobiography with regard to women and minority groups explains Kingston's intricate blend of perspective and genre: women and cultural minorities often don't have the privilege of viewing themselves as individuals isolated from their gender or racial group. Kingston illustrates this condition through her use of Chinese talk-story, her mother's traditional Chinese perspective, and her own first-person view as an immigrant.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「The Woman Warrior」の詳細全文を読む



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